Discography
Five albums mapping the evolution from post-punk archaeology to goth trap prophecy. Each album a different room in the same haunted cathedral.
Let Me Bleed in Beautiful Shape
Bauhaus-as-remembered
A debut written as the Bauhaus-as-remembered record—memory outweighs tape. Angular guitars, cinematic synths, narrative shadows.
I Still Hear Her Breathing
Short-story songs with gothic myth and horror lineage. Empty ships arriving, angels falling for mortals, witches harmonizing with ravens.
Featured Tracks
- The Ship Was Empty When It Arrived— Nosferatu-inspired
- Fallen Angel— An angel falls in love with a human woman
- The Velvet Tomb— Poe-like gothic tale
- The Beating Beneath— Echo of Poe's 'The Tell-Tale Heart'
- She Sang With Ravens— Witch revenge fantasy
Devotion Machine
Concept Album
A concept arc: one man loses his soul to The System—a hybrid of late-stage capitalism, church, state, patriotism, and workaholism. Track order follows the absorption, Pink Floyd/The Who-style.
Shadows That Hold Your Hand
A turn toward gothic pop while keeping claws sharp. Bioluminescent fungi as love metaphors, midnight laundromats as matchmaking services for the damned.
Featured Tracks
- Shadows That Hold Your Hand— Melodic, dark-romantic pop
- Midnight Laundromat— 3 a.m. urban romance of two lost souls
- Echoes From The Abyss— Aggressive, existential gothic rock
- Room 1408— Aggressive, existential gothic rock
- Basilisk Dreams— Aggressive, existential gothic rock
- Painted Moon— DIY magic—forests, tinfoil moons, vampires in a cramped apartment
Twin Skeletons
The goth trap era: gothic pop + darkwave/synthwave + trap heft. Romance, pop immediacy, and the ever-present shadow.
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Kiss Me at the Exorcism
The breakout hit from Twin Skeletons. Sacrilege as seduction, holy water as foreplay. A gothic love song that treats the exorcism as a first date—where possession becomes permission and demons are just another word for desire.
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